Douglas I. Smith, D.M.A., Artistic Director

 

"Mass in D" by Anton Dvorak Saturday May 10th, 2008 at 8 pm and Sunday May 11th, 2008 at 3 pm at the Avalon Theatre

Previous Programs: 1994 - 1995

December 1995 - Christmas Ornaments
This concert is a repackaging of traditional American and English Christmas “caroles” in a seasonal celebration featuring compositions by John Rutter, Ralph Vaughan Williams and Randol Alan Bass. John Rutter composed the opening carols in varying styles to paint three different views of the Christ child, the angels’s protective watch, “Angel’s Carol”, Mary’s maternal tenderness, “Shepherd’s Pipe Carol”, and the shepherd boy’s childlike musical gift, “Christmas Lullaby”“Christmas Ornaments” is a cantata written by Bass, that weaves sacred and secular songs of the season together. Included are: “Personent Hodie”, “Deck the Halls”, “Lullaby Carols”, “Bell Carols”, “I Wonder as I Wander”, with a solo by Patricia Rubin, and “The Twelve Days of Christmas”. Williams “Fantasia on Christmas Carols”,  based on traditional English Christmas carols, “Herefordshire”, “Somerset”, “Sussex” and another “Herefordshire” melody and includes a baritone solo by Jeffrey Baer, accompanied by Ranee Reitz.

April 1995 - In the English Tradition
This concert was dedicated to the memory of Franklin O. Doughty, member of ECAS. Jeffrey Baer was the guest conductor for this performance with Robert Young as organist. Phyllis Oldham was principal soprano soloist. The first half of the program included works by Thomas Morley, “Said I That Amaryllis”, John Wilbye, “Adieu, Sweet Amaryllis”, John Farmer, “Fair Phyllis”, Henry Purcell, “In These Delightful Pleasant Groves”, G. F. Handel, “Hallelujah, Amen” (from Judas Maccabaeus), Edward Elgar, “My Love Dwelt in a Northern Land”, R. Vaughan Williams, “Lord, Thou Hast Been Our Refuge”, and John Rutter’s “Let’s Begin Again”. The second half was John Rutter’s moving “Requiem”. Accompaniment included Diane Thomas (flute), Carrie Zubrowski (cello), John O’Meara (oboe), Tom Clark and Chris Reavis (percussion) and Ira Poberezhnaya (harp). 

November 1994 - Christmas Prelude
This concert, performed at the beautiful St. Mark’s Church in Easton, included Benjamin Britten’s “A Ceremony of Carols” and Marc-Antoine Charpentier’s “Midnight Mass for Christmas”. Sirin Pancaroglu was the guest harpist for “Ceremony of Carols”. The “Midnight Mass for Christmas” was accompanied by a small Baroque orchestra of strings and flutes. All of the solos in both works were performed by members of the ECAS including Betty Hartmeyer, Patty Rubin, Joyce DiLaurentis, Sherri Hynes, Ruth Hynsen-Palmer, Steve Strobeck, Ed Nordby, Mitch Cornwell and Jonathan West. Benjamin Britten wrote “A Ceremony of Carols” during a voyage back to England from America in 1942, using medieval carols found in a book purchased in Nova Scotia. The expression of faith found in the birth of Jesus and the rebirth of spring were a testament to the power of hope during the darkness of WWII. The “Midnight Mass for Christmas” is typically baroque in nature, popular in France during the reign of Louis XIV and known for it’s charm and appeal. 

April 1994 - Most Memorable Melodies
This concert was a collection of memorable melodies including folk songs from Wales and America. In the folk tradition is “Aura Lee”, “The Ash Grove” and “Beautiful Dreamer”. In the classical tradition, “Gloria in Excelsis”  by Mozart, Mendelssohn’s “He Watching Over Israel”, and Joseph Hayden’s “The Heavens are Telling”. Inspired text music includes, Randall Thompson’s “The Road Not Taken”, from Frostianna, Pablo Casals’ “O Vos Omnes” and the well-known “Battle Hymn of the Republic”.  The borrowed tradition includes Beethoven’s “Joyful, Joyful, Hallelujah” from The Mount of Olives and Symphony no. 9, “Arioso” from Suite in D major by J. S. Bach and “Frére Jacques”, the French folk tune. The gospel tradition included “Glory in-a My Soul”, “Peace Like a River”, and “Ride On, King Jesus!”, all arranged by Donald P. Moore. The final section was the stage tradition with “It’s Only a Paper Moon”, “Hernando’s Hideaway” and a “Porgy and Bess” medly with solos by Rachel Clement and Patricia Rubin. 

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     P. O. Box 13
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